Archive for the ‘origins of CIC’ Category

CIC’s FIrst Production

Thursday, May 22nd, 2008

Part of the ongoing Origins of CIC series by Founder and Executive Producer Angie McMahon.

After the Del Close Marathon, Bryan and Sam had already started working on making the Southpaw sketch a full show. Of course we were all asked if we wanted to participate. It was never put in writing or made official, but it somehow became CIC’s
first production. It was a talk show with host Southpaw Sam McClowski, who would ask the real questions. There were “celebrity” guests (mostly played by us), and commercials, and musical guests (real ones), and it should have been a ton of fun…and sometimes was. Some of my favorite memories of Southpaw show was the “On the Street Scenes” we would tape. Sam, dressed to the hilt, would go out and interview folks, or I Miss High School would dress up in weird stuff and do “pranks.”

Bryan dressed up like a cow once and just sat on the El moo’ing. On the same El I asked someone to go to prom with me and started dancing with them while Bryan sang “Lady in Red.” We got kicked of the train pretty quick. But we didn’t have any fear, or idea of what we were getting into. And the show changed every week so it was very tough to keep morale up. I will say Sam was the best pitch man in the world. He would dress up as Southpaw and go to bars every Thursday Night to promo the show for hours.

After 6 months of filming bits, rehearsals, and exhausting weeks CIC and Sam got into a BIG fight. Unfortunately, it ended ugly. I Miss High School split, and Sam retained rights to the character and show. It was a mistake I regret to this day. And the end of a 6 month sold out hit show for CIC.

“Who asks the Questions”- Southpaw Sam McClowski
“Southpaw Asks the Questions!”-The Audience

Taking a Side Step…

Wednesday, May 14th, 2008

Part of the ongoing Origins of CIC series by Founder and Executive Producer Angie McMahon.

One of the first CIC Sponsored Troupes, and basically the founding fathers of the company, was a sketch group named “I, Miss High School.” Members through the years were:

Tom McMahon (2000-2004)
Angie Farruggia (McMahon) (2000-2004)
Melissa Freidman (Sept 2000- Oct2000)
Rodney Hood (Sept 2000-Nov 2000)
Catherine Pappas (Head of Casting at ABC’s Wife Swap) (2000-2002)
Bryan Heffron (http://www.carverskateboards.com) (2000-2002)
Gus Richter (brother of Andy Richter) (2000-2002)
Lilly Alison (Second City Tour Co, Annoyance Company Member) (2000-2001)
Sampson Croupen (The Southpaw Sam McClowski Show) (2000-2002)
Marz Timms (Pimprov) (2002-2003)
Matt Sabo (2002-2003)
Jin Kim (2002-2004)
Jo-Elle Muchnick (2002-2003)

Catherine, Bryan, Gus, Lilly, Tom, Sampson, and Myself went to the 3rd Annual Del Close Marathon at the UCB Theater in NYC as a sketch group. It was our first Comedy Festival and the first time a CIC sponsored troupe would go to a festival. It was also the last year UCB invited Sketch groups to perform as part of the Del Close Marathon. We were given two spots, 8:30pm on the Main Stage (at that time the only stage) on Saturday Night, right after The Annoyance show, and 9:30am Sunday Morning.

We prepared, over prepared and would fight over whose scenes were in and whose scenes where out. Made tables and charts to make sure everyone got equal stage time. And over all didn’t sleep much in the days leading up to the show.

Highlight sketches from the show included:

-A monologue Lilly wrote (Lilly at the time was 17 years old) about meeting Horatio Sanz in the Bathroom “…so maybe they could do a line of coke together or whatever.” (Horatio had only a month or so before been asked to join the cast of SNL from the Second City stage. So he wasn’t super famous yet, and he was in attendance at the show. He heard Lilly’s monologue, or at least heard about it, and we got to hang out with him, Chris Kattan, and a couple other future SNL cast members, like Amy Poehler and Rachel Dratch).

-A monologue I wrote called “My Name is Judy” that would later be turned into my one women show “Judy In Disguise with Glasses”

AND

-A sketch Sam wrote called “The Southpaw Sam McClowski Show” that would later be turned into CIC’s first Production, as well as our First show at Frankie J’s on Broadway.

Friends and family and everyone swear they didn’t post the following comment, but this is what an online user posted about our show:

“I Miss High School stole the show the night I was there. Southpaw Sam McClowski was a bit I would have liked to see all night long.”

And thus begins the saga of Southpaw.

The Ninja

Wednesday, April 30th, 2008

Part of the ongoing Origins of CIC series by Founder and Executive Producer Angela McMahon

One of this things that keeps a Theater running is offering classes. Frankie knew this all too well with his experience working at IO. So he asked me to think of a class that wasn’t currently being offered in Chicago that we could sell. We came up with “Dramatic Improv”. It would be taught by Don Hall (Founding Director of WNEP Theater) AND Mark Sutton (Artistic Director of Chicago Improv Festival). Three weeks with Don and three weeks with Mark. We decided to offer the first round for free and hope word of mouth would carry the class. We also offered the class a performance slot on Sundays at 8pm — Frank said that what folks really want is stage time.

At this point the restaurant was still piles of dirt, but we did manage to move the light switch to the booth area, even though the lights were still just up, down, or slow fade. No real “theater lights” yet, just normal track lights. An amazing number of 33 people signed up for the free class. After the first show (with only 1 person in the audience- my darling husband Tom) the class quickly went down to 15 for our second meeting. The second show had a two person audience (Tom again, and someone else’s wife). This went on for the first five shows. Despite small houses, the class really seemed to enjoy what we were doing. One show we just put on a CD that Don made and did silent scenes to the soundtrack none of us had heard before. We would sometimes start the show sitting all around the theater doing strange monologues all at the same time. It was very artsy and fun, but difficult with no audience to enjoy it with us.

At the time there was a Comedy group in town named “Low Sodium Entertainment” (later members of LSE would form pH productions). They were known for handing out flyers everyday for hours outside of the Stage Left. With little promotion experience behind me I figured this must be a good way to get the word of mouth out.

While I was down stairs handing out my flyers to the 3 or so people that walked down the street in Uptown at 7:15pm on a Sunday I was approached by what looked to be a homeless man. It was about a week before Christmas. He was crying and he said “I want someone to know I am going to go in the alley and kill myself.” I said to him “Would you like a dollar?” He replied “No, I have no family and no one in my life, I just want someone else to know I am going to die.” I calmly replied, “there is a shelter on the corner, I could walk you over.” He shook his head no and started into the alley next to the building. I then said “Would you like to see a free improv show?” He stopped and turned around. “Ok,” he said. I brought him upstairs. I told my husband Tom what was going on and to keep an eye on him. I went backstage and told the cast what I had done. It was our largest house to date (with a total of 8 people in the house-including Tom and the homeless man) and they were all nervous to have this man in the house. But I told them Tom would watch him and that it would be fine. I went back downstairs and continued to flyer passers-by.

A few minutes later, Tom shouted down to me “Ang do you want to get your Ninja off the stage?” I ran up stairs and the man had jumped on stage and started doing some Karate Kid moves slowly and repeating over and over “I’m a Ninja.” I jumped on stage and grabbed him and said in my sternest mommy voice “You have to sit and be good or you have to leave.” He quickly apologized, adding “I am really looking forward to the show.”

TBC next week!

Frankie J’s on Broadway

Wednesday, April 16th, 2008

Part of the ongoing Origins of CIC series by Founder and Executive Producer Angela McMahon

9/11 had just happened and everyone was feeling pretty awful about themselves. Not knowing how we could make others laugh when we ourselvers were in so much pain. I sat with Frankie in his lofted office above what would soon be a Theater space and just felt numb. I said to him, “We should do something! Like a show. It would 1. make us feel better, 2. get folks into the space, and 3. give me something to do.” He was all about it. His father was a firefighter so right away he wanted the charity to be the Widow’s and Children’s Fund. The space needed a lot of work. But we decided to to do the event in 4 days from that moment. My husband called a cousin of his to come and put the lights on a dimmer switch so we could at least do some slow fades or quick blackouts for each group. Tom and Frank built the stage and me and Frankie’s girlfriend at the time hung up some fabric to make a backstage area. We put the word out looking for folks to perform and I booked two solid days of performers to donate time to the cause. The line up was:

4437 N Broadway
$7 Donation at the door
Food will be provided
BYOB

Monday September 17th
Hosted by Frank Janisch
7pm Jiggly Chair
7:30 The Union
8pm Bare
8:30 Pickle
9pm Wiley Spectacles
9:30 Space Mountain
10pm Cover
10:10 Belts
10:30 Young Urban Comedians Club
11pm Cashed

Tuesday September 18th
Hosted by Spike Kunetz
7pm The Beverly Thrill Billies
7:30 Amy Guard (Solo)
8pm I MissHS
8:30 Sit Pretty
9pm Liquid
9:30 Ward and Friends
10pm The Sex Diaries
10:30 Frank Janish

Frank made all the food himself and the place was mostly packed for the shows. We ended up raising $2000 and every dime went to the charity. Everyone felt great and the momentum to open the space was there. We decided since the space was now open why not start doing shows. The first performance would be two weeks later and it would be CIC’s first time producing a Theatrical “The Southpaw Sam McClowski Show.”

Frank and I saw each other everyday, sometimes for several hours a day, getting the space as ready as it could be for a show. The downstairs was still heaps and piles of dirt that would someday be a restaurant but upstairs there was a stage (even if you did have to climb over a toilet to get to it).

And so it began…


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