Archive for the ‘Mr. Marmalade’ Category

Sitting Down with the Cast of Mr. Marmalade

Wednesday, March 14th, 2007

CIC: So Matt, you are currently playing Larry in CIC’s upcoming production of Mr. Marmalade, opening March 22, but this is your second Main Stage Production with CIC. You recently played both Harry and Larry in The Vietnimization of New Jersey. What is some of your favorite moments of working on either show?

Matt: Vietnamization was one of the best theatrical experiences I’ve had. I can’t pin it down to moments, it was just a blast from start to finish. (If I had to pick a moment though, it would probably be when Laura was arrested 20 minutes before she was supposed to go onstage)

CIC: So you are also a film maker, you actually filmed Angie McMahon’s call back entry for the Oxygen Network Television show “Shelarious” do you have any film projects coming up?

Matt: I am working on a series of sketches with some local talent (Marty Shutter, Andrew Thorp, Ryan Miera). I’m currently editing a long-in-the-making short I co-directed with Mr. Miera called The Wild Night, and I’m always trying to put together my feature about the guy with a camera in his head…


CIC: CIC got a lot of comments in our last show from ladies about your good looks garnering you the nickname “Sexy Matt”, if you were to take one of our lovely audience members out for the perfect date what would that night be like?

Matt: She would probably leave after five minutes after I wouldn’t let go of the fact that she’s never seen Brazil. Either that or she’d be bored out of her mind when I wouldn’t stop whining about how much I hate my job. Either that or my girlfriend would follow us and murder her out of jealousy. Take your pick.

CIC: I know you are also a movie and music buff (some would even say a movie snob) first of all what is
your favorite movie and why? And second what is your favorite music group and why?

Matt: I don’t think I’m a snob- I view film snobs as being people who love Oscar winning Merchant/Ivory movies… I’ll take Mad Max or Die Hard over most Oscar winners every day of the week. (with the exception of The Departed, of course). Don’t really have a favorite movie or band, but if I had to choose, they would probably be Edward Scissorhands and Radiohead. I have no idea why…

View from the Booth

Tuesday, March 13th, 2007

CIC So Sarah, you are a Resident Artist with CIC and you are currently Stage Managing your 8th show with them. Tell us what is your favorite Part about Stage Managing?

Sarah Besides the glamour and free drinks? My favorite part is when the cast finally gets to perform in front of an audience – a real audience – not an audience filled with press. And when the audience gets the show; they get what we’ve been working on for over a month and a half. That and I love it when I’m able to get through a show without making any sound cue mistakes.

CIC What is your least favorite Part?

Sarah Trying to get the show to start on time. I know I have very little power over the audience and when they decide to show up, but I just wish they would show up early rather than late. Please people get there on time – I’m not asking for a lot here!

CIC Besides your current show Mr. Marmalade, that will open March 22, what has been your favorite CIC project to work on and why?

Sarah I have two – God and the Saturday Night Showcases. God wasn’t the most brilliant play we’ve done, but it was a fun process and I got to work with some of the (at the time) core CIC members (I found out Chris Churchill and I were born hours apart on the same day – I know no one really cares, but I think it’s a pretty cool little known fact) as well as some new blood. And it was directed by Don Hall (and I’ve adored him ever since, yes, I used the word adore to describe how I feel about Don Hall). I got a lot of stage managing work from that show – 2005 was the Year of the Goviers (Katie and Michael) for me because all the projects I worked on had something to do with one of them. So because of God I got to work with some other theater companies and a lot of great people.

I was never a huge fan of improv – but having sat through I don’t know how many Saturday Night Showcases over the past few years, I have grown to appreciate it. Yes, there are some really bad improv groups out there. But there are some really good ones too. And I never would have known that without the Showcases. Plus, it’s just fun to hang out with improvisers sometimes, ‘cuz actors can get a little annoying after awhile.

CIC So I heard you wont let anyone take your picture for the website? Why is that? Are you a super hero?

Sarah Oh, CIC…. You’ve met me. You know I’m not a superhero! Even though I do have the power of invisibility at times, I don’t have the body for the outfit (although I do have the boobs for it)… I just feel that a stage manager should be heard and not seen, but if it’s makes everyone feel better (it does look a little odd on the website) I will make sure that at some point I stand still long enough for someone to take my picture someday.

CIC If you knew you only had one day left to live what would you do?

Sarah I’d get up early to call in sick to work (I’m assuming that it’s a work
day), then go back to bed for a little bit, go get a breakfast bagel
sandwich (the one with bacon) from McDonalds and some Earl Grey tea from
Metropolis and go for a walk on Hollywood Beach, and then go back to my
apartment and take a nap. In the afternoon I’d go to the Davis for a
movie, some of their awesome theater nachos and a big ass Diet Coke,
afterwards walking down Lincoln, I’d wave goodbye to the Cornservatory
where I’ve spent a large portion of my life for the past 3 years, then
head to The Blue Stem (my favorite bar in Chicago) for a lot of shots
and beer…


CIC Anything else you want to add?

Sarah Anyone who’s reading this who isn’t involved with CIC (since you guys already know about it), come see our next show Mr. Marmalade – it’s creepy and funny and poignant and everything you want in a theater going experience – and our cast kicks ass! Yep. I said it. I realize those are fighting words, but these guys are really frickin’ good. Really.

Sitting Down with Mr. Marmalade

Saturday, March 10th, 2007


CIC: So Marz you are currently playing the role of Mr. Marmalade in CIC’s upcoming production that will open March 22, but this isn’t the first time you have worked with CIC. Can you tell us a bit about the first show you did with CIC “The Southpaw Sam McClowski Show”?

Marz: Southpaw Sam…It was fun. I played a character called “Comish” who basically was the owner of the station that carried the Southpaw show. I was gruff, angry, and didn’t say much. Plus I had a drug problem. There were a lot of interesting people in that show.


CIC: You also perform monthly in CIC’s Saturday Night showcase not only as a Stand Up Comic Host but also with your Improv Group Pimprov, What are the Pimps up to lately?

Marz: Pimprov was just accepted to perform at the Chicago Improv Festival this year, and we’ve been contacted by a few other improv festivals in other states that would like us to come and headline their events. I try to be really careful about places I book Pimprov because for one it’s my baby, and two there are a lot of places that can’t accommodate what we do in our show. We need to be close to the audience where we can interact with them, and be in their face (the way pimps are). People love our show, but then they want us to be PC when we perform for them, and that just isn’t our style.


CIC: You also do a lot of commercial work and short films, do you have any exciting projects coming up?

Marz: I’ve recently done a couple of television pilots, and I’ve been working on an independent film that should be out this fall. I’m looking to focus a little more on my stand up, and get that up to the status of Pimprov; which will be a little hard because Grand Finale and Marz Timms are two different people.

CIC I also heard you are a proud parent for the second time, now that you have a boy and a girl do you see much difference in the two?

Marz: Hell yes! and Hell No! They both create a ton of work (cleaning), which I wasn’t a fan of to begin with, but now it’s just angering. My daughter is very girly, and my son is a typical boy…except for his long hair. I love them both, and can’t wait until I have another show out of town. Absence makes the heart grow fonder.


CIC: Anything other stories of CIC past you would like to share?

Marz: When CIC did shows at Frankie J’s on Broadway we would have to exit the stage by stepping through a hole cut in the wall into a bathroom over a toilet, Attempting to pick up a transsexual prostitute, Getting naked on stage after a show, and the police walking in, and pitching a no hitter in the World Series…wait that was last night, and it was a dream…what is this for?

Interview with Dave Whalley

Thursday, March 8th, 2007

CIC: So Dave you are currently Directing Mr. Marmalade for CIC. It is your second CIC main stage show to direct. Tell us how you like Directing:

Dave: How do I like directing? Served cold with a side of snark. No, I’m kidding.

Of all the things I do as an artist, directing is my passion. There’s a balance that I have to find between having answers, asking the right questions and being open to change. A good director starts with a vision and tries to bring the show to a place that reflects that vision. However, that vision always morphs in the process. You cast the show and things may change. You work with each actors perception of their own characters, add in the influence of designers, even budget and you wind up with something else. Every individual involved helps to shape that vision into what the piece will eventually become.

I know there are many directors who will break their backs to make every element fall into place just the way they want it. I don’t work like that. I enjoy the ensemble too much. Theatre is an ensemble based art form. That’s what I love the most. It’s creation and evolution at it’s best.


CIC:You also play music, tell us a bit about Dead Beat Daddy?

Dave: Dead Beat Daddy is just a group of folks that got together as an improv ensemble and, on account of our backgrounds developed into a band. Unfortunately, we’re a little out of practice right now. I took a hiatus to direct Marmalade and other members have things going on with IO and the Playground. Hopefully, come April, we will get back into the basement and get things going. Keep your eyes and ears open.

CIC: You have been a company member with CIC for 3 years now, just recently became a Resident Artist, tell us about your first improv set with CIC?

Dave: I’ve had the good fortune of working with a few different companies and studying with great people. In the past few years CIC has become home. I like the vibe and the vision of the company. It’s good people doing good work. CIC has given me a great number of opportunities. I appreciate that, and I hope to be a part of the company for a long time. I love the fact that I have a place to exercise my strengths as a director and actor and learn from great talents about improv, sketch and… No, I’ll never do stand up. But the fact is, any artist that wants to brave the world of comedy can do it here. I like that.

CIC: What is the most important part of being a good Director, Actor, and Improviser?

Dave: The most important part of being a good artist is openness. I believe that applies to each of those. There is a theory I studied recently about servant leadership. That, in my opinion is what is most important about being a director. Can you lead and serve at the same time? If you can maintain a vision while being open to nurturing and encouraging others to find their own path, and make their own decisions, you are miles ahead of most. As an actor, there is nothing more important than understanding the difference between my own personal moment and the audience’s moment. It doesn’t matter how connected I am to the scene if the audience doesn’t feel the same connection. Sure, it’s great if I’m all invested and feeling. However, if it doesn’t translate, I’ve failed. I have to feel it and live in the moment but I also have the responsibility to the audience to let them in. There is an expression that has trickled down through generations, so I can’t sight the source… “It doesn’t matter if you’re having a moment. It matters that THEY are having a moment.” By the way, I think it is much harder to do that in comedy than drama. I by no means consider myself a comedian and am blown away by all those artists that can bring that to an audience through comedy.

OK, improviser… Y’know? Improvising is acting. Improvising is directing. Improvising is designing. It is doing all the things we strive to accomplish in the theatre with no resources. Oh yeah, AND it’s supposed to be funny. It’s the hardest thing in the world and I fail more often than I succeed. I love it and I hope I never stop. I want to be that stubborn 65 year old that won’t get off the fucking stage.

CIC: You are also a father, tell us about your son.

Dave: He’s an idiot. He can barely put a sentence together and he soils himself three or four times a day. OK, he’s not an idiot. He’s a toddler. Again, I kid.

My son makes me want to play. Thank God. Here’s some unsolicited advice to anyone who might be reading. Play a little. It will do you some good.


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