The cast and crew of Book of Liz celebrate a successful run.
Archive for the ‘Book of Liz’ Category
Book of Liz Cast Party
Monday, April 7th, 2008Final Book of Liz Review
Thursday, April 3rd, 2008
The Book of Liz closed last weekend. While the cast suffers through post-show depression and compiles their own thoughts on the end of the run (soon to be posted on this very blog), here’s a Goldstar customer review of the 50th, final performance:
“It’s too bad I saw this play on its closing night. I would see it again. It verges on the hysterical (all definitions) and is funny, smart, witty; basically everything anyone expects from any Sedaris. Seriously, lobby to get this play back. It’s very
entertaining. I won’t give away any plot points (like I could!), but I will say that any play that includes both cheese balls and Mr. Peanut is a must-see!”
Congratulations to the cast on a wonderful run, and thank you to every audience member who made it out to the show!
The ‘Book’ that wouldn’t close
Thursday, March 6th, 2008I moved to Chicago in June of last year to get a fresh start with the whole improv thing. I spent all of my waking hours searching for jobs or something to make me know that my decision to move to Chicago was a good one. A friend of mine was living in Vegas at the time and searching online for things in Chicago that may…motivate me, make me happy, get my mind off my worries, etc. He said to me, “What you need is a show to do.” Knowing my love for all things Sedaris, he came across the audition notice for ‘The Book of Liz’ at CIC and basically told me I was going to audition. I hadn’t gone to a real audition in over a year, but I dusted off the old rep book, pulled some fancies out of my closet, and set up an appointment for an audition.
The day I auditioned, I was really down in the dumps. The icing on the cake of my morning that sucked was that I couldn’t find the place and I called Troy (Vegas friend), and I told him, “Look. Great idea, but I can’t find the damn place I’m supposed to go and I’m skipping this audition. I won’t get it anyway.” Just as I told him this, my car drove past the audition location, and I sucked it up, found parking, and went in to “wow” them. So, I did my monologue and then this woman (I later found out that this woman was none other than Angie McMahon.) asked if I could do a cockney accent. I wasn’t expecting it. I told her that I could, but I was a bit scared I’d lied to her. I’d used that accent in a show before, and gotten no feedback (except my grandmother’s best friend telling me I sounded like “My Fair Lady” and “Mary Poppins”). I called Troy immediately afterward and told him about this question.
“That’s good. You want her to ask you that!”
I hadn’t read the script for ‘The Book of Liz’ yet. “Are you sure?”
“Yes. Did you do it?”
“No. She just asked if I could…” So, then I sat and pondered…should I have answered in cockney?

In spite of all of my worry, I did get called back. I read once for Foxley, and then Angie starting sending some people home. And, even though she said, “Just because I’m sending you home, that does not mean you’re not being considered. I’ve just seen all I need to see,” I wasn’t convinced. I’d heard that speech many a time from many a director. But, I got to stay for one more round. I read once for Liz, which was a complete mind blower, and I never did read for Oxana (the character with the cockney accent). Then Angie sent me away. I thought that was the last I would ever see of her and this very jovial guy named Chris (Froseth) who walked out of the callbacks with me that night.
Days went by, and the longer time went on, the less of a chance I had. Or so I thought. I called home and told my mom, “It’s been awhile since the callback. I don’t think I’ll be hearing from them. I guess it’s for the best. I should focus on finding a job anyway. Besides, how ambitious of me to think I’d be cast in the first and only show I’ve auditioned for, right?” I got a call that night from the stage manager, Regan.
And she said that I was cast…as Liz.
WHAAT?!! “Uh…sure.” But that had to be a mistake. The lead? I’m no leading lady. How could this be? Sure enough, she was reading the list wrong, but it didn’t bother me at all. She apologized profusely and told me I was actually playing Foxley and understudying Oxana. I had a show. I was about to be doing something.
As my character was only in one scene with one character, Liz, I knew I wouldn’t be meeting the rest of the cast until well into August. That was until I got a phone call from Angie just two weeks before opening telling me that I was going to play Oxana, because we were losing the woman cast in the role, Suzanne, to the national tour. I was shocked. I was actually in Disney World at the time (Aww…dreams coming true, and all that), and Angie still hadn’t heard my cockney accent.
The first run of ‘The Book of Liz’ was a huge success for CIC. So huge, in fact, that we were told there would be remount in the new space in January. We lost a few, gained two, continued to sell out, and tacked on an extra four weeks, as we were still selling out like mad. For the remount, I’ve had the honor (and slight nervousness) of being the understudy for Liz in addition to my already upgraded role and that jovial guy from callbacks because my onstage hubby. I was so honored to even be cast in the beginning, and now I sit on pins and needles every weekend worried that Sarah may be ill and I’ll have to fill her shoes. So far (knock on wood), so good.
This past Sunday, March 2nd, would have marked the end of our run for the remount, and when I heard Sarah deliver the final lines of the show, I turned to Lina and asked, “Do you think you’ll cry in four weeks?”
I know that I will. I’m a crybaby. It’s one of those things I’m really good at doing. But, aside from that, CIC and ‘The Book of Liz’ have become like a second home and family to me. I am so proud to have been a part of a show that has brought CIC and Angie so much success. Once all is said and done, and ‘The Book’ has come to a close, I will have been doing this show, alongside the six other remaining cast members, for the better part of a year–my first year in a new city. It’s longer than I’ve ever worked on one project and really more than I could have asked for; Getting to play Oxana was an added bonus.
With the final show of ‘Liz’ peering around the corner, I just want the cast and crew to know how much I have loved working with and getting to know them since last summer and how excited I am about the next four weeks. I want to thank Angie for the opportunity and for putting a great taste in my mouth for Chicago theatre. You all have become a major part of my life (or at least my weekends), and it’s going to be very sad to leave all this behind. Let’s meet once every couple months and eat a cheeseball, yeah? Or drink some beers?
Blogger Chims In on Book of Liz
Tuesday, February 19th, 2008Found this gem on By the Numbers Blog
8 Shows Down, 92 to Go (”The Book of Liz”)

This show was last weekend’s dessert, consumed before Sunday afternoon’s chewy Strindberg entree. The Book of Liz is David and Amy Sedaris’ only play to date. No surprise to the hordes of NPR listeners who flock to their work, it’s hilarious fluff aimed straight at Blue Staters who feel comfortable making gentle digs at the Amish (sorry, Squeamish, there’s a difference I’m told…) and alcoholics.
Chemically Imbalanced Comedy’s remount is selling out left and right because a) the Sedaris name continues to draw and b) these folks have the chops to make the silliest scenes work. This is that rare production where you welcomed the shtick, the double takes and the pratfalls. The set pieces are quaint to amateurish (though kudos on the Mr. Peanut costume) but the bit parts are milked for all they’re worth.
Oh yes, the plot (as if that’s important): Feeling neglected after a new arrival takes over her cheese ball production line, Sister Elizabeth Donderstock runs away from her Squeamish colony. Through a series of comic misadventures (are there any other kind?), she takes a waitressing job of at a themed restaurant/ haven for alcoholics. Meanwhile, the Squeamish cheese ball business is suffering, the colony is going broke, and the elders have to win back Liz to save their way of life.
I won’t give away the ending, but suffice it to say you don’t go to this show for plot twists.
Mastering the cheeseball!
Thursday, February 14th, 2008
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Mastering the cheeseball
North side theater runs David and Amy Sedaris play
By PHIL MOREHART, Contributing Writer
Theater review
Wundersiblings Amy and David Sedaris are behind some of today’s most challenging, innovative comedy. From the absurd, near surreal antics of Amy’s late television spoof, Strangers with Candy, to David’s bitingly funny essays, radio work and short story collections, they consistently spear notions of what comedy is and what it can be. Their collaborative stage play, The Book of Liz-currently in production at Chemically Imbalanced Comedy-is no different.
The play centers on Sister Elizabeth Donderstock of Clusterhaven, a cloistered, conservative, God-fearing religious community populated by the Squeamish (think the Amish-but kooky). Sister Elizabeth has a bit of a sweating problem. She also makes cheeseballs. And she’s damn good at it. So much so, that the delicacy is Clusterhaven’s chief export, providing the community’s sole economic sustenance.
Despite her talents, the well-intentioned Elizabeth is trampled upon by the forces-that-be in Clusterhaven. This culminates when her cheeseball-making duties are stripped and given to a new Brother who has connived his way into the flock. Feeling dejected, betrayed and alone, Sister Elizabeth does the unthinkable-she leaves Clusterhaven to try her hand at the modern outside world. The move opens her up to a magnitude of change, tests her resolve as a religious person, and throws Clusterhaven into a tizzy when they unsuccessfully try to replicate her cheeseball mastery.
The satire runs deep in The Book of Liz, with all manners of convention getting the skewer-religion, ethnic stereotypes, homosexuality and more. That it’s wrapped up in a farce complete with scatological gags, odd non-sequiturs and broad, near vaudevillian exaggerations makes it all the more enjoyable. And true to much of the Sedaris’ works, revelations about human nature and the fragility of the family dynamic run beneath-a sweet subversion that adds bright poignancy.
Though The Book of Liz’s words are its pedigree, they are only as strong as the players giving it life. Luckily, Chemically Imbalanced Comedy has that covered in spades.
This is the company’s second mounting of the play after a successful fall 2007 run, and it shows. The ensemble is strong and they project a real comfort with the material-no small task considering its physical intensity, verbal interplay and the fact that much of the cast takes on multiple roles.
Sarah Rose Graber is superb as Sister Elizabeth Dunderstock. She carries the show easily with a natural, doe-eyed, innocent charm and a voice of endearing, goofy inflection. Her performance is infectious, pulling the audience along with such strength that a genuine connection develops. Though we laugh at her naiveté, we also empathize with it and finally cheer its triumphs.
Brian Kash, as Brother Brightbee, the interloper who swoops into Clusterhaven with an agenda and swipes Sister Elizabeth’s place in the community, delivers one of the show’s funniest performances. Kash is a natural comedian; a compact, physical actor with a putty face who charts Brightbee’s transformation from despicable to pathetic with a multitude of preens, struts, screams and William Shatner-inspired dirges.
Also of note is supporting player Chris Froseth, who impressively tackles the challenge of three very different roles-one half of a young, street-wise Ukrainian immigrant couple who takes in Sister Elizabeth, a Clusterhaven Brother of extremely diminished intellectual capacity, and a smug yuppie on the hunt for cheeseballs. Whenever Froseth is onstage, laughter is guaranteed.
Chemically Imbalanced Comedy presents The Book of Liz in their new, black box storefront space on Irving Park Road. The confines are small and cramped, but the intimacy works in the production’s favor. The dialogue and action stay square in the audience’s face-right where the Sedaris’ intended.
Goldstar Reviews for The Book of Liz
Wednesday, January 30th, 2008
GOLDSTAREVENTS.COM Member Review
“Really had a wonderful experience. The acting was fantastic and SOOO funny. Couldn’t help myself from laughing. Great! Loved every character, and their diverse personalities gave it depth.” Four Stars
“We enjoyed it. Funny and cute - nice small theater, very authentic experience.” Three stars
“The cast & crew did a wonderful job bringing this wacky Amy Sedaris play to life!” Four Stars
“Superbly acted performance. Nice intimate venue. Well worth it!” Four Stars
“Great script, acting and set design. This ironic play had excellent twist, turns and character development that makes it worth seeing. The theater is intimate and makes you feel like you have personally met the cast.” Four Stars
All Reviews can be found at goldstarevents.com
Short Form Momma
Wednesday, September 12th, 2007So after our Theater Thursday Event with Book of Liz we did a short form Improv set and we asked audience members if they wanted to join in the fun. Here is a clip of one of the Cast Members (Lina) Mom’s who joined us for a game called Half Life.
Getting Chemically Imbalanced
Monday, September 10th, 2007by Angie McMahon
Some of you may or may not know that directing Book of Liz for me was my first time directing a play. In the past I have directed “Bad Review” and been told I was one of the best Improv Directors in the City by the Reader. But for me this was a whole new experience. One of the things I have tried to emulate from other directors I have worked with is to try to find a way to have the actor find what they need. So you do this by giving notes with strong emotions attached so they can try to get to a place you want them at. Wow sounds pretentious hu? Well my cast kept a list of there favorite notes I gave during rehearsal, thought I would share. These are real notes I gave.
4. Chris can you punch Jews.
3. Brian move your hand and let her touch your cock
2. Adam just stand there and cum
1. I want you guys to pretend she just said “I want to skull fuck your mother”
Book of Liz Opening Night Party
Friday, September 7th, 2007
Casey and Sarah Celebrate a Job well done!

Casey is getting comfy for the big Raffle!

Amy and Trey look at the art on the Walls of the Feed The Beast and wonder if there pay from the show will cover nice artdeco?

Chris is working on his Raffle Ticket Sale strategy with his director. Whatever it is, it worked!

Wow, so who’s camera is taking all these pictures I wonder?

Nate and Cynthia get snuggly in the booth.

Josh is single Gents, so line up!

Jill and Angie start the Raffle, with matching outfits!

Trey and Amy pose for there adoring fans!

And it is completely clear the Director has at this point had too much to drink!
The Book of Liz Cast Does Karaoke
Wednesday, September 5th, 2007So on Sunday The Cast of Book of Liz and myself (Angie the Director) decided to celebrate CIC’s first ever sold out opening weekend with a bit of Karaoke goodness.
We got to the bar around 8pm and there was a band that was playing for two hours before the singing started. That was ok with me just meant I knew we would be going up first for singing and I could get out of there at a decent hour. I decided that the cast had to get up and dance to the band (cause we were nearly the only folks in the bar). Well one lady decided she liked the way I danced and continued to come behind me and grind me or go in front of me and present her ass to me to be grinded on. I of course made faces behind her to my cast making it all very funny in my mind.
At some point a gentleman at the end of the bar bought the cast a round on him. So looking at the group we had at the bar (only two guys, one was Nate with girlfriend on arm in toe.
The very amazing and talented Cynthia Shur. The other guy was Josh, not only very talented but also our only gay male in the cast that we know of or will admit it j/k cast)
I grab Josh by the arm and ask him to go to the bar with me and thank the gentleman for the round as my boyfriend. He giggled cause the idea is of course fun. He put on his best boyfriend face and walked ever so straight up to the bar with me as my boyfriend and we both thanked the fella on behalf of the cast. We went back to our table.
At this point the band had taken a break and came over and thanked us for dancing cause it made them look better. They started back up and a fella who I think was with my grindy girlfriend comes over and takes the beer from my hand leads me to the dance floor and presents grindy to me again. I look at my cast now for some help but they are busy looking at the pictures on the camera and chatting. So she leans in and whispers in my ear “I want to fuck you so bad”.
I am speechless, I can’t tell you the last time anyone has uttered those words to me on a dance floor. She then presents her arm to me and says “I feel off my bike, I’m clean I don’t have herpes. Please I want to fuck you so bad.” I smiled and said sorry I’m married (not a lie but my husband was at home with our daughter). I pointed to Josh. Thats my husband. She said “Really, that guy” I said yeah sorry. I quickly ran over to Josh and jumped on his lap. I whispered in his ear “Your my husband” his reaction was Whaaaa? I was promoted? I tell the cast the story and we all get a laugh as I am holding on to Josh for dear life waiting for the dam Karaoke to start.
Again my lady of the night comes to get me for a dance. I reach for my “husband” and he waves and says
“Have fun hunny, I’ll be right here” with a huge smile on his face. After that you couldn’t peel me off of Josh till this women was out of my sight. I told Josh “I am going to the bathroom and if she follows me you better come or I swear to God I will kill you” She didn’t follow me. But she did wait around for a LONG time to see if I would talk to her again. The night went on and I was up first to sing. I of course dedicated the song to my loving husband Josh and our 7 kids. I love you baby, I screamed in the mic.
The next Song up was Casey (who blew me away with her singing, you should see her in the Book of Liz. No singing but still awesome). And a very large Breasted women decided to join Casey on stage and rub up against her while she sang. And of course the cast all stood by and laughed and the weird energy in the room.
I later sang a song with my hubby Josh (love shack) and made him spank me during the song (well I think made me is strong, I think he may have just started spanking me) at that point my lady of the night finally left. But I did get another drink out of it from some guy who told me he loved my singing (Funny cause I have an awful voice)
I rounded out the evening with a rousing version of Desperado (a song I use to have to sing when I was in Tony and Tina’s wedding) with Dear Nate. After the song I found out his amazing talented girlfriend got hit on and slipped a card. Some guy who loves to “support Theater” with a wink.
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