Archive for the ‘anchorage daily news’ Category

C.I.C. Visits Alaska

Tuesday, August 5th, 2008

by Jay Gish

In general, the people of Anchorage, Alaska display no discernible accent. I have to admit that disappointed me, just a little. Travel’s that much more interesting if things sound different, in addition to looking and feeling different, in my opinion.

But beyond that, Alaska does not disappoint.

Jill Fenstermaker, Tom McMahon and I were sent up there a couple weeks ago as the long form trio Yippee Kayak, on behalf of C.I.C., to perform a weekend of shows with Anchorage’s leading resident improv troupe, Scared Scriptless.

Scared Scriptless primarily performs short form improv, but the group has recently begun wading into the immense waters of long form. As you might imagine, with Alaska’s remote location, there’s not a whole lot of improv to experience up there. That’s why they’ve been arranging to bring groups up from the long form mecca of Chicago this summer, to perform with them at the Wild Berry Theater.

And it’s a blast. If anyone else gets a similar opportunity, I recommend it. The people of Anchorage, and especially our hosts in Scared Scriptless, could hardly have been nicer. One of them actually volunteered as our guide for a day-long glacier trip. And when Jill and Tom insisted on visiting a “genuine Alaskan dive bar,” they helped us satisfy the quest, while also managing to limit the likelihood of anyone getting knifed. (No, I never felt threatened, while we were there. But I also can’t name a knife particular to Chicago, while all Alaskans can readily name the “ulu” as their unofficial state cutting tool. Makes you think.)

And, to further illustrate the niceness – our performance was attended by both the woman who ran our bed & breakfast (Irene, who could’ve easily decided she was too busy to spend her evening at a show, especially on a weekend), and another couple who happened to also be staying there. Granted, the couple was actually from Portland, and Irene is Dutch. But I think that just goes to show how the Anchorage sociability infects everybody.

This is to say nothing of Alaska’s crisp, wild beauty. If anyone needs a reference point from here in the “Lower 48”…the Anchorage area roughly compares to Lake Tahoe, I guess – only more diverse, more authentic, more laid-back, and far less annoying. Which is to say, awesome.

Big thanks to our Alaskan friends for the experience, and I hope to see some of them down here, sometime. Maybe we can’t match their mountains or abundant seafood. But we can try to nourish them another way…we can show ‘em a heck of a lot of improv.

CIC in Alaska

Tuesday, July 22nd, 2008

CIC sent two troupes to Anchorage, Alaska this summer, to peform at the Wild Berry Theater. Below is an article by Dawnell Smith from the Anchorage Daily News, about the comedy scene in Anchorage, including a bit about CIC!

Comedy rising
Local and national funny folk bring plenty of laughs to Anchorage

By DAWNELL SMITH
dsmith@adn.com

(07/12/08 23:45:14)

If you want to bellyache over laughter rather than tainted produce, rising gas prices and global tumult, then set your social calendar around the bounty of wit and whim in Anchorage this month.

The next fortnight promises sight gags and ironic twists, wordplay and narrative riffs, all in the name of guffaws, chuckles, giggles and snorts. The comic onslaught includes sketch comedy by The Second City of Chicago, improvisation by members of Chicago’s Chemically Imbalanced Comedy and Anchorage’s Scared Scriptless Improv, and the TBA Theatre production of “The Head That Wouldn’t Die” by playwright Rand Higbee.

Is this wave of comic relief a riotous blip or a deadpan response to world affairs? Probably both.

“I think it’s coincidental that all this comedy is happening right now, but I also think things coincide for a reason,” said Shane Mitchell, director of “The Head That Wouldn’t Die.”

What happens in life personally and globally always permeates what happens in art, after all, just as the time of year influences programming.

“The reason comedies are successful is because people want to blow off some steam, and summer is a good time for that,” said Mitchell.

When it comes down to it, comedy captures the theatrical flip side of drama, said playwright Higbee.

“Times are tough right now,” he said. “The unending war in Iraq. Skyrocketing energy prices. I know several people at work who are quite worried at how they will be able to heat their house during the upcoming winter.

“When these people are coming home after a hard day at work and they stop at the local video store, they aren’t likely to look over the movies and think, ‘I’d like to see a realistic and painful look at adolescence that will somehow illuminate the human condition for me.’ No, they are much more likely to think, ‘I’d like something funny.’ “

People need a break from their troubles no matter how good things get, Higbee added, and great comedy “makes you laugh and at the same time it makes you realize something about your life.”

FUNNY AND BRAINY

“The Head That Wouldn’t Die” was read and then produced at the Last Frontier Theatre Conference in 2006 and 2007 respectively, so though the playwright hails from the Midwest, his script evolved in Alaska and is getting its first full run at Cyrano’s Off Center Playhouse this month.

The spoof makes fun of some of the great (and terrible) post-World War II horror and sci-fi films, with everything from decapitated robots to people crashing through windows. Dawson Moore, playwright and organizer of the Last Frontier conference, discovered Higbee’s comic talents years ago.

“He’s bravely creative, writing about diverse subject matters that I don’t see anyone else tackling,” Moore said. “And I love that he writes shows that are appropriate for younger audiences. He earns his laughter without having to resort to foul language or grotesque imagery.”

At the same time, the play alludes to films that deal with questions about the capabilities of science and the justifications for war and destruction.

People face many of the same questions today, Mitchell said, so audiences can enjoy “The Head That Wouldn’t Die” as both a superficial spoof and a thoughtful reflection of our times.

“Looking at human questions through the comic lens lets us examine them in a palatable way,” Mitchell said. “Or you can just see the play as a gut-busting farce.”

The same can be said of improvisational comedy performed by groups like Scared Scriptless, a local troupe that started doing monthly gigs in 2000 and has performed regularly ever since, first at Side Street Espresso, later at Cyrano’s and now at the Alaska Wild Berry Theater.

The group creates three- to five-minute scenes on the spot after getting audience suggestions. Occasionally they do 20- to 30-minute improvisations like those by national groups including Chemically Imbalanced Comedy of Chicago.

Scared Scriptless held its own in June when members performed with Chemically Imbalanced, said Ann Reddig, who spent 20 years doing improvisational theater and now works for Wild Berry Theater.

She found herself amazed at the Chicago outfit’s ability to conceive a full story with in-depth characters from one word, “gambling.”

“They were so relaxed and patient, very confident in their comedy,” she said. “The short form of improv tends to be a little more hyper and disconnected. It was very interesting to watch the locals work hand in hand with the Chicago dudes.”


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